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Ebook About When the world is tossed into chaos, it's up to a group of meddling kids—Fred, Daphne, Velma, Shaggy and their dog, Scooby-Doo—to solve the mystery and survive hordes of zombies! But can they save the day and cure everyone, or will they become brain-eating monsters? The creatures of the night are among us, and the crew of the Mystery Machine has to fight to survive—because in the apocalyptic badlands of the near future, the horrors are real!Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics' reimagining of cartoons like Scooby-Doo, The Flintstones, Jonny Quest, Space Ghost and Wacky Racers, these new series will be infused with modern and contemporary concepts while keeping the heart and soul of the classic animation.Collects SCOOBY APOCALYPSE #1-6.Book Scooby Apocalypse (2016-) Vol. 1 (Scooby Apocalypse (2016-2019)) Review :
I was initially attracted to this book for two reasons. One, I’m partial to the genre of “Children’s Properties Re-interpreted as Tongue-in-Cheek, Over-the-Top Fare for Adult Fanboys”. (What do you mean? Of course that’s a genre.) And two, the team of Giffen and Dematteis is always promising. Scooby Apocalypse seemed like a mix of stupid and awesome that just might be fun.Having just read the TPB of the first six issues, my feelings are mixed. While there’s a lot to like, everything I like has some problems as well. To start, cover art by Jim Lee for the TPB and several issues. Mostly great compositions, team shots, lots of cross-hatching—but they feel rushed. I wonder about the cover where Fred’s face is covered by the Grifter mask. That doesn’t really appear inside any issue, but it’s like nobody cared enough to go back and revise it.Interior art by Porter is largely really great, and dense. There’s so much going on, on each page—maybe too much. I noticed many pages are structured as six-panel grids, and every panel has three or more characters interacting. You don’t see artists working that hard in comics these days. The upshot is that it’s beautiful; the downside is that so much content is on each page, with most panels at the same mid-range POV, that it becomes a little hard to absorb everything. The coloring hurts in this regard. While a nice palette of blues and greens, there’s so much that it all bleeds together. There are a number of blurry panels, as well.Story-wise, the writers do well in layering the concepts—world-building was a big part of their work on JL3000, and it’s a big part of this. Frankly, Giffen and Dematteis are to be commended for seriously endeavoring to turn what could be a one-issue, throw-away parody concept into an actual, honest-to-god action and drama series. Dialogue is strong, and is a big part of why I love to read these creators. The book flounders a bit though around the third and fourth issues to figure out its direction. Continuity is a little wonky between issues, with often jarring transitions in structure or narrative voice between the issues. You’ll find a cliff-hanger at the end of an issue, then the next issue jumps past the resolution, then circles back. There’s a lot of repetitive dialogue—often, characters will word-for-word restate who they are and what’s going on. Daphne and Velma keep having the same arguement, and the reader doesn’t feel like the characters are progressing the way they should. Daphne, frankly, might be bi-polar with her wildly erratic mood swings—I’m not sure what the intention is with her character. Other characters don't react to her in a way that seems consistent with the tone of the book. She seems to be the main character, but she isn't likable; at one point, she hits Velma in the back of the head with a computer for no reason other than spite. Maybe this was supposed to be funny, but it came off as jarring. Velma’s backstory in issue 6 is a touch dark, and feels like it’s setting up something big. Scooby-doo’s dialogue is largely used just to punctuate moments in the story, but the timing of “Ruh-ro!” is consistently funny to me. I'd like to see more of the titular character doing stuff.If you read the Justice League 3000/3001 books, you’ll find Scooby Apocalypse remarkably similar in tone and execution. The world is bleak but expansive. There’s a nebulous, over-powered villain. The plotlines are deep but meander. You wish the world was more fully explored, because it’s intriguing. JL3000/3001 was ultimately frustrating because of so many plotlines both came out of nowhere and ended unsatisfactorily. BUT—the lack of closure only really mattered because what the writers set up was SO interesting.Amazingly, there are several more Scooby Apocalypse TPBs at present— quite a lot given the nature of the concept. I'll be along for the ride. Well, Shaggy is a hipster... that should tell you everything you need to know right there. But otherwise, Velma is the closest, in character, than anyone else. Fred isn't so much the leader as a bumbling idiot, and, honestly it goes down hill from there.Ultimately, it looks like they were more concerned about making a statement than they were about reimagining a Scooby story, and the result was they sucked all the fun out of it. 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